Coming to your town…

2011.08.22

August 27th at the Crocodile the Wooden Shjips return to Seattle (it’s been too long) in support of their forthcoming Thrill Jockey LP “West” The new long player is an ecstasy inducing biker-rock jam that proves these cats are pretty much the Ramones of psychrock. Exciting to see them share a West Coast tour with Seattle’s finest, the Night Beats. Not sure if they still have spots left but the show is free if you RSVP with Sailor Jerry.

Wooden Shjips – Black Smoke Rise from Thrill Jockey Records on Vimeo.

Then September 9th at the Nectar in Fremont it’s White Hills, Sleepy Sun and Kinski!

White Hills – Paradise from Thrill Jockey Records on Vimeo.

And in case you’ve been hearing rumors, they are true:

ESCALATOR FEST III IS HAPPENING SEPTEMBER 23-24th AT THE LO-FI!! More details to come…

E*S*C*A*L*A*T*O*R F*E*S*T

2009.09.24

THE TIME IS NOW!

Dance Party Revival 6 – Lumerians from lumerians on Vimeo.

HERE’S THE FULL SCHEDULE-
The Portable Shrines Collective ESCALATOR FEST “Two Nights of Mind-Manifesting Music” in Seattle 9.25.09 at the Lo-Fi Gallery (21+) and 9.26.09 at the Vera Project (all ages). Projections by Portable Shrines and Sun Eye and art by local artists. To the best of our knowledge all times listed are exact so don’t be late and miss out!

Friday, September 25, 2009 8pm-2am @ Lo-Fi Performance Gallery 21+, $15

  • Lumerians12:30- San Francisco space rockers blew our minds last year and we can’t wait for them to do it again.
  • Jackie-O Motherfucker - 11:30-12:15 Highly regarded outsider free folk collective from Portland, known for their experimental take on traditional sounds.
  • Kinski10:30-11:15 Seattle’s premier avant-rock quartet have traveled the world and and can always be counted on to paint heavy sound pictures.
  • Purple Rhinestone Eagle9:45-10:15 Three heavy females who conjure mystic sounds bringing to mind early Hawkwind and Sabbath.
  • Treetarantula9-9:30 Mind-altering scuzz n’ fuzz from Seattle lords of psychedelic doom.
  • Psychedelic dance party all night in the front lounge with DJ Randy Travis, DJ Jermaine and DJ Mamma Casserole

Saturday, September 26, 2009 5pm-12am @ The Vera Project all ages, $15
Non-stop music and projections all day in the front room and mainstage

  • Wooden Shjips – 10:45 Drone you can dance to from San Francisco’s masters of motorik fuzz-beat. These guys seem to play every cool festival on earth and it’s an honor to have them at Escalator. You don’t want to miss this.
  • Eternal Tapestry – 10:00 Soul-shattering psychedelic kraut-blues from Portland always spewing out great records and CD-rs.
  • Prince Rama of Ayodhya – 9:30 Traveling yoga-punks from an ancient realm bring cosmic sounds to the fucked up children.
  • The Slaves – 9:00 A blissful nightmare in slo-mo like an AM radio falling down a bottomless chasm. Can’t wait.
  • Midday Veil – 8:30 Ecstatic soundtracks for beatific visions from Seattle-based star children.
  • Geist & the Sacred Ensemble8:00 Mystery rhythms and shaman songs from this local group whose ritualistic performances keep getting better.
  • Story of Rats – 7:30 Visual and sound artist Garek Druss builds deeply textured walls of amplification for your enjoyment.
  • oKo yOnO – 7:00 Reverberous soundtracks to start your vision quest.
  • Cloaks – 6:30 Portland purveyors of mutated crypto-funk space elevator muzak.
  • Lord Jeff – 6:00 East Coast weirdo folk fuzz with a new album on Ecstatic Peace. Keep the freaks rollin.

And thanks a million to the delicious Post Alley Pizza!!

ripley intrvw

2009.09.14

Midday Veil’s Emily Pothast interviews Ripley Johnson from Wooden Shjips (playing Escalator Fest 9/26!)

As the frontman for San Francisco’s venerable Wooden Shjips and a co-organizer of the annual Frisco Freakout festival, the unassuming Ripley Johnson is a leading figure in one of the most exciting psych scenes in the U.S. Emily from Midday Veil caught up with Ripley as the Shjips were returning to the states from their most recent European tour and asked him a few questions via email about music, inspiration, and scene building.

How did you guys get your start musically? What made you decide to come together as Wooden Shjips?

We were all friends already. Nash and I were part of an earlier Shjips lineup. That broke up and we recruited Dusty and Omar, who were each looking for a project.

Reviews of rock bands always seem to include checklists of other artists that have had an influence on the band’s sound. One thing I appreciate about you guys is that while there are the obvious rock influences, there are also elements of trance and minimalism and other things that cut across the usual genres. What bands and artists would you say have had the biggest influence on Wooden Shjips? How about the most unexpected influence?

Probably someone like Arthur Doyle. I was deep into a free jazz phase whenthe Shjips idea was hatched. I don’t think it necessarily comes through in the music, but the freedom and creativity and seriousness of that music was and is a big influence on me. Others would be Sonny Sharrock, Masayuki Takayanagi, Joe McPhee, Noah Howard, Sun Ra, Rashied Ali (RIP), etc… Beyond jazz, some of the big influences were Trad Gras och Stenar, Ash Ra Tempel, Les Rallizes Denudes, Link Wray, The Seeds, Stooges, VU, and on and on.

Wow, that’s quite a list. Who is making music currently that you dig?
We’re going on tour in November…got any good road jams to suggest for us?

Let’s look at the pile. Sun Araw, Cave, Teenage Panzerkorps, Tinariwen, Kurt Vile. The new Blues Control. The Mirrors and Chrissy Zebby Tembo LP reissues have been on the turntable a lot. I always bring some Neil Young on the road.

Speaking of touring, you guys have spent a lot of time on the road this year in the U.S. and Europe. Has the experience of touring informed what you’re doing musically? Coming across new outside influences, perhaps?

I’m not sure yet. We’ll see what we write after being home for a while. It certainly energizes and inspires us, meeting lots of people, learning new things. But most of the time is spent moving, so perhaps that will have the biggest influence.

The kids get down to the sound of the Shjips

The kids get down to the sound of the Shjips

Last year David [Golightly, my bandmate] and I saw you guys at Terrastock, as well as the first annual Frisco Freakout, which you co-organized. One thing that appeals to me about these kinds of festivals is the sense of camaraderie they seem to foster among musicians and fans. I read the interview from the SF Weekly last year where you talk about the isolation ofthe information age, and your goal of bringing people together and
tightening up the local scene through the Freakout. Portable Shrines was formed for this same reason, and it’s what inspired me to get involved. I was wondering if you think there’s a connection between this
community-building impulse and the tendency to play and enjoy psych music. You are now in the position where other organizers, promoters and scene-builders look up to what you’ve accomplished in that arena as well.
How does this role fit into your practice of making music? And how do you find time to sleep?!

That’s kind of you to say. I see it as fairly separate from my role as a musician. I’m not a natural organizer but I’ve been inspired by others who make things happen out of nothing. I’m not sure there’s any connection to psych music, though there is the rich history of happenings, street theater, concerts in parks, all of the Diggers activities. I’m certainly inspired by all of that. Maybe there is a connection!

Thank you so much for taking the time to talk with us. We’re looking forward to getting our minds blown once again in September!

Thanks. Look forward to seeing you at the fest.

ESCALATOR!

2009.09.10


Two nights of mind-manifesting art, music and happenings.

Escalator Fest September 25-26 For advance tickets and info go HERE.

groovy movies

2009.08.16

Ripley singing in french= smooooth. Playing Escalator Fest Sep. 26!

Jackie-O Motherfucker’s classic “Valley of Fire”. Playing Escalator Fest Friday Sep. 25!!

dance california part deux

2009.06.25

Restore Maximum Freedom Fest IV in Davis was a fabulous time. Wooden Shjips, Eternal Tapestry, Thee Oh Sees, Pregnant, Meth Teeth, the Mayyors, Lucky Dragons and DMPT rocked and everyone danced, ate and drank through the heat. Photos are located here and here

dance

dance dance dance

eternal tapestry at restore maximum freedom fest IV 5.16.09

eternal tapestry at restore maximum freedom fest IV 5.16.09

lucky dragons at restore maximum freedom fest IV 5.16.09

lucky dragons at restore maximum freedom fest IV 5.16.09

thee oh sees at restore maximum freedom fest IV 5.16.09

thee oh sees at restore maximum freedom fest IV 5.16.09

wooden shjips at restore maximum freedom fest IV 5.16.09

wooden shjips at restore maximum freedom fest IV 5.16.09

meth teeth at restore maximum freedom fest IV 5.16.09

meth teeth at restore maximum freedom fest IV 5.16.09

dance california

2009.06.25

Way back in May Portable Shrines took a little trip down to San Fransisco, Oakland, Davis and Arcata to check out some bands and do some camping…here are photos from the Wooden Shjips, Eternal Tapestry and New Rock Syndicate show at Thee Parkside. Light show by Sanae!

wooden shjips at thee parkside 5.15.09

wooden shjips at thee parkside 5.15.09

new rock syndicate at thee parkside

new rock syndicate at thee parkside 5.15.09

eternal tapestry at the parkside

eternal tapestry at thee parkside 5.15.09

dos is the floatiest

2009.05.13

The Wooden Shjips recent excursion to the Northwest coincided with the release of their new album “Dos” on the always awesome Holy Mountain label and after an amazing show they laid one on us (a copy of the new album that is). Dos keeps the motorikal grooves grooving with perhaps a tad more emphasis on the tight rhythms and low-end throb. It’s the kind of repetition that gets better and better the more times it swirls around the skull, spiraling down into a whirlpool of squarewaves and vibrato at the center of which Terry Riley collides headlong with the Ramones (or is it Suicide meets the Dead?).  The Shjips ride that riff til the sky opens up and that speck way off in the distance has suddenly grown into a mountain.

Those that didn’t get it the first time around (Garsh, these guys are just playing the same durn thing over and over!) may or may not experience that moment of satori wherein the secret is revealed but while this album probably won’t launch the Shjips into the mainstream the chosen few have a new summer anthem.

(The vinyl is in stores now…)

This weekend they will be playing two epic shows, (both w/ Eternal Tapestry) Friday 5/15 at Thee Parkside in SF and Saturday at Maximum Freedom Fest in Woodland, CA.

easter everywhere

2009.04.13

check out dave segal’s review of the wooden shjips show and here are a few photos from the portable shrines weekend happenings…

more 4.10.09 photos
more 4.11.09 photos
Jesse Milden’s photos of Wooden Shjips
(not pictured: bryan john appleby and black nite crash, if you have some photos please share).

golden animals

golden animals

wooden shjips

wooden shjips

afgct

hallways

hallways

idle times

idle times

backward masks-photo by david golightly

backward masks-photo by david golightly

thiz weekend…

2009.04.06

wooden shjips, aubrey nehrings’s art opening, and golden animals…


Wooden Shjips new album “Dos” is set set drop this week and coincides with they’re first appearance in the northwest(friday they play Yeti Fest in Portland). And along with AFCGT, Idle Times and Backward Masks this one is sure to be a real mother.


The Beautiful people known as the Golden Animals bring their traveling two-piece rock & roll show to the Comet on Friday and is most highly recommended that you attend. They’re songs are almost as infectious as that cold thats been going around and I understand they put on a helluva show. Meet us there after the opening at nancy…

“WARNING: Strobe lights in use. May cause seizures.” Austin’s Psych Fest II….

2009.04.01

The psychotropic Victoria Renard of Austin, Texas, graciously documented the Psych Fest II that is held before that music industry orgy referred to as SXSW….having fully recovered from 2 straight weeks of shows this is her account of the Psych Fest…

When you live in a town that greets you with a sign at the airport “Welcome to Austin, TX: The Live Music Capitol Of The World” and there’s an approximate 50 music fests per year and at least 150 operating music venues per night excluding sushi joints, vintage shops, backyard BBQ’s and grocery stores you tend to get a little lazy, even complacent about getting out to see live music. Not such the case when it comes to the annual Austin Psych Fest. The first of the “annual” tradition started last year in 2008 the week before the much anticipated/dreaded South By Southwest music festival by event organizer Adam Demetri of Live Music Capitol and Austin’s guardian angel of psychedelia, Christian Bland of The Black Angels.

The Black Angels

The Black Angels

Psych Fest was conceived as a tribute to the legendary 1960′s psychedelic venue Vulcan Gas Company which hosted local bands 13th Floor Elevators, Moving Sidewalks, and The Golden Dawn as well as a mixture of experimental and roots music like The Velvet Underground, Moby Grape, Big Mamma Thorton, Muddy Waters, and Mississippi Fred McDowell. Whereas the Austin Psych Fest kicked off in 2008 at the inconspicuous Red Barn in north Austin it made it’s sophomore effort at the newly opened Radio Room on 6th Street, Austin’s equivalent to Bourbon Street, in 2009. Joined this year by powerhouse publicist Jennifer Marchand of Bleu French Laundry Productions, who organized day long music fests tributing the year 1967 in music and John Lennon, Austin’s annual Psych Fest was a little more determined to bring the music to the masses: “the masses” being nostalgic local hippies, Spring Breakers, and foreigners (anyone outside the Texas border) with high dollar South By Southwest badges. As a South By Southwest “lifer”, I feel like five days of 24/7 live music and an influx of 70,000 visitors is total sensory overload… but what better time to bring the cream of the proverbial crop ranging from today’s reigning sounds of neo-psychedelia to the real deal 1960′s performers responsible for the whole tripped out mess?

Read more…

cassette culture

2009.03.29
art by Brian Lightbody in Mixtape: the Art of Cassette Culture

art by Brian Lightbody in Mixtape: the Art of Cassette Culture

The past few years have seen a resurgence of that antiquated and beloved media format, the cassette tape. This return to cassette is in part due to the zeitgeist of nostalgia that runs rampant in our culture and recycles hip about every 20 years or so. Many folks have been picking up on this return: designboom has a nice article about the art and culture of the cassette, Thurston Moore of Sonic Youth edited Mix Tape: the Art of Cassette Culture in 2005. The November 08 Wire magazine contained a few articles about cassettes, notably about the mystique of Les Rallizes Dénudés cassettes and another on Black Metal’s cassette rituals. While preparing this post Portable Shrines synchronously stumbled into Flying Squirrel Pizza in Seattle, a pizza joint that loves mix tapes. So much in fact that they have created “The Flying Squirrel Pizza Mix Tape Challenge”…plus their pizza rocks.

The time is again now for those lovely little objects.

Also, in this resurgence something more is brewing, bands such as Wooden Shjips, Eternal Tapestry, and Du Hexen Hase are utilizing the cassette as a means of putting out new music. Labels are doing the same…Amateur Depression out of Florida is putting out some great stuff (Menthols and Nerve City among others). Anaheim based Burger Records is releasing kick ass albums on vinyl, cd and cassette tape and Best Kept Secret is an all tape label based out of Italy. I personally love having new releases in the format, there is something to the nostalgia…being able to pop a tape of something you have never heard before in your car stereo and just go…

So, having noticed this trend for a while I presented a couple of questions to some of these folks, asking what their reason were for using this format versus compact discs and if they thought this format will stick around as long as vinyl will… Read more…